The conceptual starting point for the exhibition is Fiston Mwanza Mujila’s novel Tram 83, in which the author describes an imaginary place that starts from the social reality of Congolese metropolises but can not be concretely assigned to any city. The exhibition also builds an imaginary place, which feeds on different realities and pushes together politics, exploitation, corruption, violence, religion, mythology, spirituality, star cult, everyday life as well as pleasure, lust and sensual desires.
